Folio from the "Blue" Qur'an
Arts of the Islamic World
On View:
If God is light, one might consider the gilded words on this Qur’an page as rays of light for those who read and recite his revelations. The “Blue” Qur’an, so named after the rich, indigo-dyed parchment used for its folios, is arguably one of the most extraordinary luxury manuscripts ever created. The angular gold Kufic script was executed using the technique of chrysography, in which ground gold suspended in solution is carefully applied. The unusual color scheme may have been inspired by Byzantine manuscripts; it also may bear some relation to the decoration of the mihrab (prayer niche) at the Great Mosque of Cordoba in Spain. The page shown here includes Arabic text from the chapter called “The Women” (Surat al-Nisā’, 4:56–59); these verses refer to the rewards of Paradise awaiting believers in the hereafter.
MEDIUM
Ink, gold, and silver (now oxidized) on blue-dyed parchment
DATES
9th–10th century
DIMENSIONS
11 3/16 × 15 in. (28.4 × 38.1 cm)
frame: 15 × 20 × 2 in. (38.1 × 50.8 × 5.1 cm)
(show scale)
INSCRIPTIONS
In Arabic, Qur'an 4:56–59, Surat al-Nisa’ ("The Women); these verses refer to the rewards of Paradise awaiting believers in the hereafter.
ACCESSION NUMBER
1995.51a-b
CREDIT LINE
Gift of Beatrice Riese
PROVENANCE
Prior to 1994, provenance not yet documented; by October 1994, acquired by Beatrice Riese of New York, NY; June 22, 1995, gift of Beatrice Riese to the Brooklyn Museum.
Provenance FAQ
MUSEUM LOCATION
This item is not on view
CAPTION
Folio from the "Blue" Qur'an, 9th–10th century. Ink, gold, and silver (now oxidized) on blue-dyed parchment, 11 3/16 × 15 in. (28.4 × 38.1 cm). Brooklyn Museum, Gift of Beatrice Riese, 1995.51a-b (Photo: Brooklyn Museum, 1995.51a-b_front_IMLS_SL2.jpg)
IMAGE
front, 1995.51a-b_front_IMLS_SL2.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online
application form (charges apply).
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.